Lisbon by Maja Tomljanovic Alphonse Mucha Kirchner's self-portraits are among the

Kirchner's self-portraits are among the most psychologically probing images in early twentieth-century art

It sits firmly in the tradition of modern abstraction while carrying its own quiet vocabulary

the work's layered forms and tonal depth reproduce with remarkable clarity

The colouring is naturalistic and restrained

and flowering panicles all arranged to convey both botanical accuracy and compositional balance

Lisbon by Maja Tomljanovic Alphonse Mucha Kirchner's self-portraits are among theLisbon by Maja Tomljanovic distils the Portuguese capital into colour, pattern, and a mood of unhurried warmth. The composition layers architectural fragments, botanical motifs, and human presence into a scene that feels both specific and universal the kind of city afternoon that lodges itself in memory. Tomljanovic works with a palette of terracotta, dusty blue, and sun bleached cream that immediately evokes the light quality of the Tagus estuary,